Have you ever been in the midst of penning an epic tale, only to have the story or plot throw you a curve?
This happened to me a few weeks ago, and I’ve been contemplating how best to address it. When the twist occurred, I thought, “Where the hell did that come from? That’s not what we planned!” Not that I consider myself to be a pantser or a planner. I’m still finding what best works for me. But I did at least draft a brief outline of what I envisioned.
In one way I suppose it’s a good thing. If I didn’t see it coming, then chances are the reader wouldn’t either, right? Hmm, I’m not so sure. Now I have angst whether to keep and roll with it, or ditch and continue with the original plan.
I thought I’d look into this further, as I’m sure I’m not the first to have this happen.
My initial search for wisdom highlighted something worth touching on before going any further. And that is the difference between Plot and Story.
I found this YouTube video that describes the difference; and it makes it sound so simple (and entertaining. It applies to everyone, whether you’re a screenwriter, or a novelist etc). In summary, the message is-
“The plot is 2 people shooting at each other. The story is why 2 people are shooting at each other.”
“If plot is where, when and how; then story is who and why.”
In a nutshell, though plot and story intertwine, it’s the story that binds.
But what to do when your story, or plot, takes an unexpected detour?
Tough questions need to be asked, and even tougher decisions made–
- Does it serve a purpose?
Will it add and/or improve your story; or bore, and be nothing more than a meaningless digression that detracts from what you’re trying to create.
- Why do you need or want to include this?
Perhaps it alludes to a backstory, or serves as a titbit for a future offshoot. Regardless, as above, it should contribute to the current tale and have some kind of connection.
- Will it confuse the reader?
Most people love a good plot or story twist, but it does need to make sense. Even if it wasn’t obvious before; once sprung, you want the reaction to be ‘Whoa, didn’t see that coming!’ Or ‘Of course!’ Not ‘Huh?’ or something less polite.
If you decide to keep the surprise twist, invest in it, and make it worth the reader’s while. They’ve already committed to reading your story, don’t make them regret it.
If on the other hand, you decide it’s not strong enough to carry the weight, omit it. Though having said this, don’t destroy it, save it somewhere. This is universal advice. You never know when you can use it for a later project, or as mentioned earlier, build on it in an offshoot story. (If, like me, you already do this, you probably have a folder jammed with random snippets of dialogue and scenes.)
If you’re still unsure, run it past someone you trust for a second opinion.
One thing I’m learning – knowing whether to cut or keep a piece of writing is a skill, and worth developing.
Whatever you choose, ensure you check all viable options and outcomes. It’s your story, your decision. It’s all part of the process and what makes it so exciting…or stressful, depending on your mindset at the time!
My own initial reaction was a delightful mix of anxiety and nausea with a big dollop of cluelessness. But now, after some thought and taking time to consider the possibilities, I’m a little more optimistic. (The Chardonnay also helped). Will I have made the right decision? Time will tell.
If you’re looking for related articles, have a look at this from the Writing Cooperative website about ‘when to kill your darlings and when to save them.’
Best of luck with your project! You got this.
